Architectural Textiles
Artist Statement
In graduate school I began working in textiles, primarily with surface design techniques on cloth. I also learned how to weave rag rugs, I saw them as a canvas and allowed me to create descending staircases that rested on the floor plane.
While I was working with textiles the staircase was my primary muse. The imagery in these architectural textile pieces was culled from my surroundings; places I lived or encountered on my travels. The staircases, hallways and doorways were sketched in my journals and became the inspiration for the narrative spaces in this series. Although the sketches initially depicted elements of reality, during my creative process I worked from memory causing them to undergo an emotional transformation that created the spaces in my work. I enjoy the creative dialogue that unfolds as a piece takes shape. The staircases, hallways and doorways become symbolic spaces, metaphors for expressing the various journeys, transitions, and thresholds within life's experiences. My work draws on the viewer's intimate involvement with steps and portals to elicit feelings and personal interpretations.
Nature, the ultimate colorist, inspired the vibrant palette for this body of work. Seasonal landscapes, the textures and colors found in the natural world, especially the intense vibrant colors of flowers served as the inspiration my palette.
Technical Process
I am a collector and a firm believer in recycling, often combining wonderful old antique textile fragments with new fabrics. My textile work begins as white or light colored cotton, linen, silk and upcycled antique fabrics. The work can take many forms, sometimes the fabrics are pieced or woven into a rag rug "canvas", and then the image is painted with thickened dye, steamed and processed. Other pieces begin with hand dyed cloth, in both cases I enjoy layering a wide variety of surface design techniques using dyes and textile inks to build up layers of vibrant color and pattern. Surface design techniques are layered, creating the visual depth in the cloth as well as physically recording the process of time and the marks of my hands. The construction of a piece may include a combination of hand and machine sewing, collage, embroidery, and hand or machine quilting. The physical layering of the processes and stitching reinforce the visual sense of the architectural space. Hand stitching is an integral part of my process, alluding to historical times and the present in every stitch. Growing up in rural New England I respect tradition and the essence of historical connection, yet bring a contemporary flair to my work.
The architectural textile pieces shown here are available for exhibitions and purchase.
Contact: heatherhietala@gmail.com